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When it comes to food and drink, I tend to lean towards the simple. Or, more accurately, I tend to lean towards the simple and well-made.

One of my favourite memories of the Dominican Republic, for example, was the coco loco - literally just a coconut with the top sliced off and rum mixed into the milk, served with a straw and maybe a squeeze of lime. When the coconut is fresh, the drink is amazing.

Another example would be Marcella Hazan's (in)famous tomato sauce. It literally has only four ingredients (canned tomatoes, butter, onion and salt) and notably no garlic or herbs, so the sauce doesn't really have anywhere to hide; it tastes like buttery, slow cooked tomatoes which is, well, you know, delicious.

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I attended my first IndieWebCamp session last week, on the subject of "gardens and streams", otherwise known as wikis and blogs. Given the current global situation, the entire thing was remote; I participated via Zoom. It was fun! I'm glad I got to meet everyone.

Wikis, and how they differ from blogs, is a topic that interests me. You may not know it, but my domain sports a wiki, powered by MoinMoin. I mostly use it to store technical notes and recipes.

I'm no historian, but it seems obvious that wikis were created mostly in order to make certain kinds of websites easier to build and maintain. In the days when "webmaster" was an actual job title and when traditional websites were maintained by an elite group of technical people, using arcane languages like HTML, wiki powered websites:

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Jan-Lukas Else recently asked the Hacker News community why most of them don't have blogs, and published his thoughts on their answers to his own blog. The conversation was interesting and got me thinking about my own motivations for maintaining this site.

The first thing that stands out for me in the responses is the number of people who said that they quit blogging because they didn't have any readers. It was more than I expected. I don't think I fully realized how important readership was to some people in the technical community, probably because I think can safely say that it's not of great importance to me.

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If you've read my previous articles on the IndieWeb, you might be forgiven for thinking that its members are, by and large, loners who keep to themselves.

Consider the concept of a "like", for example. On a site like Twitter, a like is an action you perform against another person's content; you click the heart icon next to someone's tweet, and the like counter for that tweet goes up. It's an implicit connection between two people - the one who did the liking and the one who received it.

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One of the themes that crops up again and again in the IndieWeb community is that your personal domain, with its attendant website, should form the nexus of your online existence. Of course, people can and do maintain separate profiles on a variety of social media platforms, but these should be subordinate to the identity represented by your personal website, which remains everyone's one-stop-shop for all things you and the central hub out of which your other identities radiate.

Part of what this means in practice is that your domain should function as a kind of universal online passport, allowing you to sign in to various services and applications simply by entering your personal URL.

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In a previous blog post, I gave a very brief introduction to the IndieWeb, hopefully giving a sense of what it is and why it matters. In this post I'll try and zoom in a tiny bit and explain something of the mechanics of how the IndieWeb actually works and what it means to "like" a post or "share" a status update.

I'm deliberately trying to avoid too much detail in this post because, frankly, there's a lot to write, and it's easy to get lost. So I'm going to try and give a rough idea of what an IndieWeb enabled website looks like at a very high level, without going into the weeds. Further posts will go into more detail.

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I don't think I've ever felt quite as old as I felt when, last year, I discovered the IndieWeb, an online community of people dedicated to resurrecting the personal website.

This makes me feel old because I've maintained some sort of personal web presence/site/blog since around 1998 or so, when I made my first hand-coded HTML pages available online at U of T. Apparently, enough time has past not only for the concept of a "personal website" to have become quaint and old-fashioned (displaced by a cluster of much more convenient social media sites) but also for it to have been picked up again by an enthusiastic band of hobbyists with a taste for the retro and a fondness for old-school fan pages.

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I have a large collection of digital photos dating back over 15 years. An impressively small fraction of them are actually any good, but that's a different conversation, probably revolving around my digital hoarding habits.

Such a large collection deserves a particular method of organization. Or maybe it doesn't. Did I mention they're mostly mediocre? Anyway, I have one! I thought I'd share in case anyone finds it useful (including a future version of myself, my mind being a sieve and all).

The procedure I came up with is strongly influenced by several personal idiosyncrasies. Obviously, not everyone shares these traits, so your mileage will definitely vary - though I think it's always interesting to read about how other people do things.

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As you walk down a typical street in Manhattan the first thing you notice is just how straight it is. Roads in Manhattan have actual vanishing points, like railroad tracks. You walk slowly towards this point that you will never reach, and the cross streets come up one at a time, at perfectly spaced intervals and at perfectly right angles. First you look left, and then you look right, and you're taken aback at how perfectly straight those roads are as well, and how they also seem to go on forever in the distance.

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Google's AngularJS is one of the most popular web frameworks out there, but it comes with its share of criticism (performance around two way binding being one of the more prominent complaints). Google responded by releasing Angular 2 (and, as of now, 4, 5 and 6), which addressed some of the issues but at the cost of being drastically incompatible with its predecessor, with no realistic way to upgrade except through pure elbow grease. Angular 2+ might as well be a completely different framework.

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In an attempt to at least try and get to know my theremin a bit better, I caved and bought Carolina Eyck's The Art of Playing the Theremin. I mean, her instructional videos on YouTube are great, but they don't really give you a proper sense of how to move your fingers when playing a tune. Her book, on the other hand, does.

It's probably obvious to everyone else in the world, and I'm not sure what exactly I was expecting, but it turns out that you have to know how to read sheet music in order to fully benefit from the book. Crazy, right?

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In my last blog entry, I talked about theremins. I've known about them for a while, and I've always found them fascinating, but I've never actually taken the plunge and bought one, despite being being tempted on many occasions (they're not that expensive).

At the same time, I've known about Arduinos for a long time, and I've always wanted an excuse to buy one, but I've never actually taken the plunge and bought one. As I'm fond of saying, an Arduino is a solution in search of a problem, and I just never found the right problem for one.

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I am an unapologetic Downton Abbey fan. The series is full of memorable scenes, but one in particular has stuck with me. Daisy, one of the scullery maids, is asked if she turned on the electric lights in one of the rooms and she replies "No. I daren't".

It seems like such a minor, throwaway line, but I feel like it succinctly captures how the uninitiated must have felt about electricity back then. Daisy is downright afraid of it. Steam and fire are very direct and literal sources of energy, but electricity is much more abstract. You never see the electricity moving or burning, even as the motor spins or the lamp shines.

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Pelican is my blogging engine of choice these days. Given that Emacs is usually (though not always) my text editor of choice, it made sense to try and streamline the process of writing blog entries for Pelican with Emacs. What follows is my attempt to document such an endeavour, partly because I think it might be useful to the (undoubtedly tiny) cross section of people who use both Emacs and Pelican, but mostly so that I have something to refer back to when the need arises.

Note that this blog entry does not cover things like actually setting up your Pelican blog. It also doesn't cover my reasons for using Pelican in the first place; for that, feel free to peruse my other blog entry on the subject.

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I've been a programmer by trade ever since I graduated from University. This is a fairly long time, as these things are measured. I still consider myself on a learning curve, but that's a separate conversation.

My career, such as it is, mostly sidestepped the whole static versus dynamic typing debate that roiled in the early 2000's. School, when it veered into software territory, mostly consisted of C and Java, two statically typed languages. My professional life, until fairly recently, has been mostly in Java (with a bit of C++ thrown in for good measure) and hence has almost exclusively revolved around statically typed languages.

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I saw Blade Runner 2049 recently. I have some (not very original) thoughts to share. Spoilers ahead.

The original Blade Runner only really caught my attention in my adult years. Unlike, say, Back to the Future, Ferris Bueller's Day Off and Superman, it was not one of my "childhood movies". I saw it once when I was very young, found it boring and weird, and then promptly forgot about it until I was made to watch it sometime in my 20's or 30's with my eyes fully open.

Once I did, though...wow. That movie drips atmosphere. I'd be lying if I said it's one of my favourite movies of all time - I feel like that kind of designation is less about the movie itself and more about my frame of mind at the time I see it - but it's definitely up there as one of the movies I admire most from a visual standpoint. It's still beautiful 35 years later.

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As I've mentioned before, I've recently switched to pelican as my blogging engine.

Pelican is a static site generator. This means that it generates static HTML files using templates and content as input, which can be then uploaded (via rsync, for example) to a plain vanilla web server (I use nginx).

So far the experience has been fairly smooth. The web server setup is much simpler, since there's no application to run. And it's forced me to re-think what kinds of information I want on my pages. For example, in an effort to avoid regenerating the entire site every time I publish an article, I created standalone index pages for tags, categories and archives rather than display the counts on every page.

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Continuing in my attempt to document the mixers and liqueurs I've been sampling recently, I will now focus on Benedictine, a French, brandy-based, herbal liqueur.

The name conjures up images of secluded monks guarding secret recipes handed down for generations (see my article about Chartreuse, another monastically themed libation, for a similar background) but according to Wikipedia the real story is a bit more prosaic: it was apparently invented by wine merchant and industrialist Alexandre Le Grand who later tried to link his concoction with the Benedictine Abbey of Fécamp in Normandy to boost sales.

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About a year ago, I bought a bottle of green Chartreuse. I bought it because I stumbled upon something called a Bijou cocktail and decided that I wanted to try it.

Chartreuse is a liqueur made by French monks from a secret recipe purported to be hundreds of years old. It's usually described as tasting "herbal", but I find that's about as useful as saying that something tastes like "chicken"; it's the word you use when you can't think of anything else to say. For my money, I find that it's very sweet and tastes strongly of anise (which I don't mind; I like Drambuie, which also has a strong anise flavour) but also has a kind of "vegetable" aftertaste that I find a bit off putting,

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The Fine Art of Mixing Drinks, David Embury's classic, is notable for being somewhat rigid in its definition of a cocktail. He basically divides all of cocktail-dom into two camps: the aromatic ones (Manhattans, Martinis, Old-Fashioneds), and the sour ones (basically anything with lemon or lime juice in it, though never enough to overpower the main liquor).

For Embury, a cocktail is consumed before dinner, stimulates the appetite, and isn't very sweet - or it isn't a cocktail. As such, though mixed drinks like the Brandy Alexander and its cousins do show up on the pages of his book, they are (justifiably, though somewhat condescendingly) classified as desserts when made the traditional way (equal parts brandy, cream and creme de cacao) or grudgingly allowed to stand alongside the real cocktails when made according to his modifications (basically upping the brandy by four times the usual amount relative to the other ingredients) - though with a loud admonition that the result is vastly inferior to his tried and true favourites.

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Lately I've been experimenting with "mixers". By "mixer" I mean aperitifs, liqueurs, and digestifs that almost always appear as secondary ingredients in a cocktail, but that one almost never thinks of drinking on their own. The intention here is to write a series of articles about each one.

It started with the Vesper, a mixed drink well known in cocktail circles. The recipe comes from an iconic scene in Ian Flemings's Casino Royale, where Bond instructs the bartender as follows:

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After a good run, I've decided to retire YAWT for the time being. I found the workflow I set up to be a bit complicated, and I found myself wanting to concentrate more on writing rather than the nitty-gritty of publishing. I also got a bit tired of the lone wolf thing and I wanted to try using piece of software that other people actually use.

But I still liked the basics of my workflow. I still liked writing blog entries with a standard text editor (Emacs in my case). I still liked the idea of keeping my site under source control, as plain files. In other words, I did not want to switch to Wordpress.

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Evelyn and I went to Poland this past May, with her dad, uncle and cousins. Her second cousin was getting married and we were invited to the wedding.

I have to admit, I didn't know what I was going to get out of this trip. Poland was never really on my list of places to visit. The Lonely Planet guide, a book whose job is to make you excited about the place you're visiting, said that Poland "wore its charms lightly". What was that supposed to mean?

I mean...one of the main draws of Kraków is...a decommissioned salt mine? A salt mine?

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There's an Irish joke that runs as follows:

A journalist, researching for an article on the complex political situation in Northern Ireland, was in a pub in a war-torn area of Belfast. One of his potential informants leaned over his pint of Guinness and suspiciously cross-examined the journalist: "Are you a Catholic or a Protestant?" the Irishman asked.

"Neither," replied the journalist; "I'm an atheist."

The Irishman, not content with this answer, put a further question: "Ah, but are you a Catholic atheist or a Protestant atheist?

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If you're in the tech industry, or you're just generally interested in technology, chances are you've heard of the Turing test. It's usually billed as a litmus test for intelligence in machines. The idea, in its most basic form, is simple. A judge converses with two subjects, one of which is human and one of which is a machine, via some sort of mechanism that hides the physical characteristics of the subjects. If the judge cannot tell the human from the machine, we say that the machine is intelligent. Simple as that.

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